Soundcraft D-MIX 1000

Features

Mono Input Module
Each Mono module will accept a Mic and Line level input with gain adjustment to allow for different source sensitivities. A pre EQ insert point is provided for the addition of a limiter or other processor to the input.
The signal may be routed via a three-band EQ section, giving up to 10dB boost/cut at 100Hz, 3.5kHz
and 8kHz. An Aux feed is available for use with an effects unit, reverb or as an independent output. The send level is individually controlled from each input module. The mono signal may be ‘positioned’ in the stereo image using the Pan pot, and is controlled via the high-quality 100mm long-throw fader and illuminated On switch. A Peak LED warns the DJ of excessive signal level before distor tion occurs.

The channel may be assigned to the main Left and Right outputs, or through the A/B cross-fader if required, using the interlocking routing switches. Pre fade monitoring is achieved using the Cue button, located at the bottom of each fader for ease of use. An internal link assigns the Mono input to the Voice-Over system when the channel is in Mic mode. Two Mono input modules are fitted as standard.

Stereo Input Module
The D-MIX 1000 provides the DJ with six dual stereo inputs as standard. Each Stereo module permits the connection of two switched stereo sources (such as CD players, DAT machines or VTRs). Line 1 input may be selected internally to provide RIAA equalisation for turntables. Input gain is varied by +/- 10dB using a rotary control for optimising levels. The Stereo module uses a similar EQ section to the Mono input, but with a +/-6dB range for more subtle correction. A mono sum of the stereo signal may be fed to the Aux 1 bus via the rotary level control for zoning or special effects. The stereo balance may be adjusted by up to +/-6dB to compensate for a differential between the Left and Right inputs.

Routing is similar to the Mono input, with the A/B crossfader being used for rapid and accurate transitions between sources. All routing switches are illuminated for instant identification. The large, illuminated On switch is used to enable each input and also as a remote start for turntables, CD players and other equipment. The Cue switch routes the pre fade signal in stereo to the DJ’s headphones and booth monitors if required. A highquality 100mm fader controls the overall input signal level.

Master Module
The D-MIX 1000 Master module may be located anywhere in the frame to allow for individual preferences. Mono and stereo master outputs are provided with separate 100mm long-throw faders,
as well as an A/B crossfader mounted on a removeable panel for ease of servicing.

The main L-R outputs are metered using high-quality vacuum display units, and dedicated meters are provided for the DJ’s headphone feed. These are fed with L-R or Aux mix unless a Cue switch is pressed, when both meters and headphone feed are replaced by the Cue signal. The DJ may select Split Cue, so that the Cue feed appears in the right earphone, while a mono mix of the normal feed is heard in the left earphone.

An independent stereo DJ booth output is provided for loudspeaker monitoring and cueing; this may be switched to Auto Cue to permit cues to be heard and is muted by any ‘live’ mic channel to prevent
howlround. The normal feed to the DJ booth may be selected as either L-R or Aux. The Master module also contains the Aux Send and Return level controls; these may be used for effects or as a zone input or output.

The Voiceover switch enables the D-MIX 1000’s ducking system, allowing the DJ’s voice to dim any stereo input assigned to the crossfader. The dim threshold is adjusted using an internal preset and the
‘Master Mic’ is selected by a link on the Mono input module. In addition to the main and Aux outputs, an isolated mono feed is available for sound-to-light triggering; a pre fade stereo Record output and
20Hz-80Hz sub-bass feed are also provided as standard, to simplify the installation of an integrated system.

Installation and Powering
The D-MIX 1000 is powered by an external DCP100 supply, which will accept mains voltages between 110V and 240V.

The console occupies 8U of space in a standard 19” rack; all permanent connections are made underneath the unit to save space. All audio connections use industry-standard XLR, 0.25” jacks and RCA phono plugs for ease of cabling. Start/stop connections are isolated and are made via phono connectors.

Specifications

Frequency Response: 20 - 20 kHz
Mic/Line Input +0, -1.0dB, 20Hz to 20kHz
Mic input -70dBu to -16dBu nominal (+4dBu max)
Distortion : Line inputs Less than -80dB
Crosstalk : Channel to Channel Less than -85dBu @ 1kHz