Stanton M.505

A true 5-channel club mixer with 5 phono/line inputs and separate mic channel.
The Stanton M.505 Club Mixer stands in a class all its own. The onboard effects loop offers unprecedented flexibility making it possible to preview an external effect in your headphones and route it to a variety of sources. You get Stanton's Superior Sound Technology (SST) and high-quality components including a fully assignable Penny & Giles crossfader.

SST mixers offer several important advantages for DJs:

Ultralow Noise
Why add noise to your mix when you can have the pure sound of SST? Try this with your current DJ mixer: Make sure nothing is playing then turn all the channel faders and master fader to their maximum positions. Then boost all the EQs to their highest settings. What you'll probably get is a bunch of hiss and noise. On an SST mixer you won't hear a thing!

Zero Bleed
Another problem common to DJ mixers is channel bleed. For example let's say you have a CD playing on channel 1 and nothing playing on channel 2. On many mixers if you were to turn up channel 2's fader all the way you would hear the music bleeding over from channel 1. Again with an SST mixer all you would hear is silence.

Better Overall Sound
Because Stanton builds SST mixers with high dynamic range and low distortion our mixers have a much more clean transparent sound than the competition. The result is your music will sound the way it was intended without being 'colored' by the circuitry of the mixer. Compare our specs head-to-head with other mixers at a similar price and you'll find that SST mixers are head and shoulders above the rest.

Built to Last
SST mixers are designed using only the highest quality components for longer life and more reliable performance. Did you know that many mixers use circuit boards made of a paper-like material? Spill a drink on that and your mixer is toast. Superior Sound Technology mixers use glass epoxy boards for better durability. They also feature surface-mount technology which means if you were to open one up you wouldn't see a mess of wires but a clean design that keeps our mixers so quiet.

Specifications

 Frequency Response: 20 Hz to 20 kHz +/- 1 dB
 THD+N (Line): <0.008% at 1 kHz
 Signal to Noise Ratio (Ref to Max. Level) Dynamic Range: >110 dB
 Noise Floor
 (Unbalanced Out): < -92 dBV
 (Balanced Out): < -84 dBu
 Crosstalk
 Line to Phono Line to Line: < -90 dB at 1 kHz
 Phono to Line: < -95 dB @ 1 kHz
 Fader Kill (Channel and Crossfader): < -92 dB at 1 kHz
 Max Output Level: +18 dBV Unbalanced
 (Unity Gain- Line Input): +26 dBu Balanced Outputs
 Mic EQ: +10 dB/-24 dB
Channel EQ
 Hi +9 dB -45 dB (Kill)
 Mid +9 dB -35 dB (Kill)
 Low +9 dB -55 dB (Kill)
Inputs/Outputs
 Line Inputs: 5 x Stereo RCA -10 dBV 10 k Ohm unbalanced
 Aux Inputs: 2 x XLR/Combo -10 dBV 10k Ohm balanced
 Phono Inputs: 5 x Stereo RCA -50 dBV 47k Ohm unbalanced
 Mic Inputs: 3x XLR/Combo -50 dBV 1.2k Ohm Balanced
 Return Inputs: 2 (1/4') -10 dBV / 10 kOhm
 Send Outputs: 2 (1/4') -10 dBV / 10 kOhm
 Master Outputs: 2x RCA -10 dBV unbalanced  Booth Outputs: 2x RCA -10 dBV unbalanced  Record Outputs: x RCA -10 dBV unbalanced  Headphone Outputs: x 1/4' Phone Jack
 1x 1/8' Mini Phone Jack
 Send Outputs: 2x 1/4' Phone Jack -10 dBV unbalanced  Return Inputs: 2x 1/4' Phone Jack -10 dBV unbalanced 10k Ohms
 Dimensions: 13.8' x 12.0' x 3.8'
 Weight: 6.42 kg